The Thief
Le Voleur is French for the Thief. In 1828, during the birth and rise of the newspaper, Emile de Girardin had a novel idea on how to use the newest writing technology, the printing press. He and a friend decided to start a periodical, but since they lacked capital, the weekly was entitled Le Voleur (The Thief) and it reprinted the best articles that had appeared elsewhere during the week, saving editorial costs. (from ''The History and Power of Writing'')
Saturday, October 22, 2005
New York Times:
by Maureen Dowd
"I've always liked Judy Miller. I have often wondered what Waugh or Thackeray would have made of the Fourth Estate's Becky Sharp.
The traits she has that drive many reporters at The Times crazy - her tropism toward powerful men, her frantic intensity and her peculiar mixture of hard work and hauteur - have never bothered me. I enjoy operatic types.
Once when I was covering the first Bush White House, I was in The Times's seat in the crowded White House press room, listening to an administration official's background briefing. Judy had moved on from her tempestuous tenure as a Washington editor to be a reporter based in New York, but she showed up at this national security affairs briefing.
At first she leaned against the wall near where I was sitting, but I noticed that she seemed agitated about something. Midway through the briefing, she came over and whispered to me, 'I think I should be sitting in the Times seat.'
It was such an outrageous move, I could only laugh. I got up and stood in the back of the room, while Judy claimed what she felt was her rightful power perch.
She never knew when to quit. That was her talent and her flaw. Sorely in need of a tight editorial leash, she was kept on no leash at all, and that has hurt this paper and its trust with readers. She more than earned her sobriquet 'Miss Run Amok.'
Judy's stories about W.M.D. fit too perfectly with the White House's case for war. She was close to Ahmad Chalabi, the con man who was conning the neocons to knock out Saddam so he could get his hands on Iraq, and I worried that she was playing a leading role in the dangerous echo chamber that Senator Bob Graham, now retired, dubbed 'incestuous amplification.' Using Iraqi defectors and exiles, Mr. Chalabi planted bogus stories with Judy and other credulous journalists.
Even last April, when I wrote a column critical of Mr. Chalabi, she fired off e-mail to me defending him.
When Bill Keller became executive editor in the summer of 2003, he barred Judy from covering Iraq and W.M.D. issues. But he acknowledged in The Times's Sunday story about Judy's role in the Plame leak case that she had kept 'drifting' back. Why did nobody stop this drift?
Judy admitted in the story that she 'got it totally wrong' about W.M.D. 'If your sources are wrong,' she said, 'you are wrong.' But investigative reporting is not stenography."